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Cover of The good, the bad, and the undead
Book details

The good, the bad, and the undead

by Kim Harrison

Published 2012356 pagesISBN 978-0-0074-5976-6

Sexy, vibrant new packaging for Kim Harrison's New York Times bestselling urban fantasy The Hollows series: this is the second book starring sexy bounty hunter and witch, Rachel Morgan. During the last few months, former bounty-hunter Rachel Morgan has been rather busy. Having escaped relatively unscathed from her corrupt former employers, she's not only acquired a vampiric room-mate called Ivy, faced werewolf assassins and battled shape-shifting demons, but has also found the time to pick up a boyfriend (even if he is only human) and open her very own runner agency. But cohabiting with a vampire, however reformed, has its dangers. Ivy's evil vampire ex-boyfriend has decided that he wants her back, and views Rachel as a tasty side-dish. To make matters worse, Rachel's demon mark is the ultimate vamp-aphrodisiac; one that works both ways. The stakes are high, and if Rachel is to save herself and her room mate she must challenge the master vampire and confront the dark secrets she's kept hidden even from herself.

Beyond its central premise, the book can be read through the connected lenses of Fiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.

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Full BookenDeX details

What the reading experience may hold

A fuller profile for choosing with more confidence—not just another copy of the preview.

Themes to notice

Fiction

Use these as starting points rather than limits; the most memorable books often stretch beyond their catalog labels.

Content notes

Catalog signals suggest warfare and conflict, sexual material. These notes may not be complete; consult a publisher or reader-supplied guide when detailed warnings matter.

These notes are inferred from available catalog information and may not be complete. Check a publisher or reader-supplied guide if you need comprehensive warnings.

Reading experience

Dark tone · Steady pace

A comfortable full-length choice for steady daily reading.

Who it may suit

A good fit if…

Readers who want a thoughtful experience and enjoy noticing the connections beneath a book’s surface story.

At a glance

This book's DNA

A visual estimate based on this edition's categories, description, and length. Select a star to explore the signals.

ToneDark
LuminousDark

This signal is descriptive, not a rating. It helps compare the kind of reading experience this edition may offer.

No plot details

Spoiler-Free Emotional Arc

A broad estimate of the book’s emotional rhythm, shown without story events or outcomes.

Spoiler-free
12345
PeakRelative emotional intensity
The good, the bad, and the undeadKim Harrison
Heightened4.2/5

This visualization is an interpretive estimate based on catalog description, categories, tone, pace, and content signals. It does not describe specific scenes.

Before you choose

A quick reading snapshot

Edition facts and catalog signals to help you decide whether this book fits what you want to read next.

Reading lengthA standard-length read356 pages in this edition
Publication eraModernFirst published or edition dated 2012
Primary categoryFictionExplore similar books below
ISBN-13
978-0-0074-5976-6
Language
English
Edition record
OL29635298M
BookenDeX editorial lens

A more thoughtful way into this book

This guide uses the edition details and category signals above to help you choose deliberately. It does not replace the author's work or a full review.

Good to know

A comfortable full-length choice for steady daily reading.

Begin with its place in Fiction, then notice where the book resists that label.

Try this reading approach

Read for connection, not completion.

Mark one passage that sharpens the book's central concern and one that complicates it. That tension often reveals more than a quick summary.

Three questions to carry with you

  1. What does the central character want, and what do they misunderstand about that desire?
  2. Which detail or relationship changes how you interpret the story?
  3. What feeling or question does the book leave with you after the plot moves on?

Editorial framework by Wesley Bryan, BookenDeX Founder and Editor.