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Book details

Holy Terror in the Hebrides

A Dorothy Martin Mystery (Dorothy Martin Mysteries)

by Jeanne M. Dams

Published 1999272 pagesISBN 978-0-0610-1346-1

From the inside cover: Dorothy Martin has a weakness for fine food, and when her friends Tom and Lynn invite her to spend some time with them at a cottage on the island of Iona in the Hebrides, promising fresh crab and exquisite salmon, and since her, well, dear friend Chief Constable Alan Nesbitt is away in Brussells, she gives in and agrees to join them. The first thing that goes wrong are Tom's chesk pains, keeping the Andersons in London. The second thing that troubles Dorothy are the folks traveling with her--an ecumenical group from Chicago that is anything but ecumenical. Then there is the weather forecast. A storm is bearing down on the island, and the threat inherent in that news in enough to make even the most stouthearted think twice. To make Dorothy's arrival even more of a horror is the fact that in her haste to leave home, she left the key to the cottage behind. The food had better be all that it was said to be; she has to spend the first night of her holiday with the bickering religious from America. Her first full day is a holy terror. The storm is building, but an opportunity to go to fabled Fingal's Cve cannot be passed up, even with the ever more contankerous Americans along for the ride. What she wants even less is the next event: One of the group falls from the rocks in the cave and disappears beneath the waves. It is clearly an accident, an unfortunate happenstance, and everyone is willing to accept it as such. Except for Dorothy. As the island of Iona is isolated by the storm, Dorothy begins asking questions no one wants answered, and finding answers that reveal things she might not have wanted to know.

Beyond its central premise, the book can be read through the connected lenses of Fiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.

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Themes to notice

Fiction

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Content notes

Catalog signals suggest disturbing or confinement-related situations. These notes may not be complete; consult a publisher or reader-supplied guide when detailed warnings matter.

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Reading experience

Dark tone · Urgent pace

A comfortable full-length choice for steady daily reading.

Who it may suit

A good fit if…

Readers who want a thoughtful experience and enjoy noticing the connections beneath a book’s surface story.

At a glance

This book's DNA

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ToneDark
LuminousDark

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Spoiler-Free Emotional Arc

A broad estimate of the book’s emotional rhythm, shown without story events or outcomes.

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PeakRelative emotional intensity
Holy Terror in the HebridesJeanne M. Dams
Powerful5/5

This visualization is an interpretive estimate based on catalog description, categories, tone, pace, and content signals. It does not describe specific scenes.

Before you choose

A quick reading snapshot

Edition facts and catalog signals to help you decide whether this book fits what you want to read next.

Reading lengthA standard-length read272 pages in this edition
Publication eraModernFirst published or edition dated 1999
Primary categoryFictionExplore similar books below
ISBN-13
978-0-0610-1346-1
Language
English
Edition record
OL9241335M
BookenDeX editorial lens

A more thoughtful way into this book

This guide uses the edition details and category signals above to help you choose deliberately. It does not replace the author's work or a full review.

Good to know

A comfortable full-length choice for steady daily reading.

Begin with its place in Fiction, then notice where the book resists that label.

Try this reading approach

Read for connection, not completion.

Mark one passage that sharpens the book's central concern and one that complicates it. That tension often reveals more than a quick summary.

Three questions to carry with you

  1. What does the central character want, and what do they misunderstand about that desire?
  2. Which detail or relationship changes how you interpret the story?
  3. What feeling or question does the book leave with you after the plot moves on?

Editorial framework by Wesley Bryan, BookenDeX Founder and Editor.