Europe's Last Summer

A riveting narrative of a crucial time in twentieth century history.The Great War not only destroyed the lives of over twenty million soldiers and civilians, it also ushered in a century of huge political and social upheaval, led directly to the Second World War and altered for ever the mechanisms of governments. And yet its causes, both long term and immediate, have continued to be shrouded in mystery. In Europe's Last Summer, David Fromkin reveals a new pattern in the happenings of that fateful July and August, which leads in unexpected directions. Rather than one war, starting with the assassination of Archduke Franz Ferdinand, he sees two conflicts, related but not inseparably linked, whose management drew Europe and the world into what The Economist described as early as 1914 as 'perhaps the greatest tragedy in human history'. This book is a dramatic reassessment of the causes of the Great War. The early summer of 1914 was the most glorious Europeans could remember. But, behind the scenes, the most destructive war the world had yet known was moving inexorably into being, a war that would continue to resonate into the twenty-first century. The question of how it began has long vexed historians. Many have cited the assassination of Archduke Ferdinand; others have concluded that it was nobody's fault. But David Fromkin -- whose account is based on the latest scholarship -- provides a different answer. He makes plain that hostilities were commenced deliberately. In a gripping narrative that has eerie parallels to events in our own time, Fromkin shows that not one but two wars were waged, and that the first served as pretext for the second. Shedding light on such current issues as preemptive war and terrorism, he provides detailed descriptions of the negotiations and incisive portraits of the diplomats, generals, and rulers -- the Kaiser of Germany, the Czar of Russia, the Prime Minister of England, among other key players. And he reveals how and why diplomacy was doomed to fail. - Jacket flap.

Beyond its central premise, the book can be read through the connected lenses of Fiction, Nonfiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.