The Aristos

This book was first published against the advice of almost everyone who read it. I was told that it would do my ‘image’ no good; and I am sure that my belief that a favourable ‘image’ is conceivably not of any great human – or literary – significance would have counted for very little if I had not had a best-selling novel behind me. I used that ‘success’ to issue this ‘failure’, and so I face a charge of unscrupulous obstinacy. To the obstinacy I must plead guilty, but not to lack of scruple; for I was acting only in accordance with what I had written. My chief concern, in The Aristos is to preserve the freedom of the individual against all those pressures-to-conform that threaten our century; one of those pressures, put upon all of us, but particularly on anyone who comes into public notice, is that of labelling a person by what he gets money and fame for – by what other people most want to use him as. To call a man a plumber is to describe one aspect of him, but it is also to obscure a number of others. I am a writer; I want no more specific prison than that I express myself in printed words. So a prime personal reason for this book was to announce that I did not intend to walk into the cage labelled ‘novelist’. Aristos is taken from the ancient Greek. It is singular and means roughly ‘the best for a given situation’. [From the Author's Preface to the second edition of 1968, as reproduced in the New American Library edition of 1970]

Beyond its central premise, the book can be read through the connected lenses of Philosophy, Fiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.