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Rats in the Trees (Contemporary American Fiction)

by Jess Mowry

Published 1993176 pagesISBN 978-0-1401-7873-9

Rats In The Trees was Jess Mowry's first book, written in 1989 and published by John Daniel & Co. of Santa Barbara, California in 1990. It's a collection of interrelated stories of many street kids, though most about Robby, a 13-year-old boy from Fresno, California who runs away from a foster home. Robby arrives in Oakland on a Greyhound bus, then, lost and alone in the city, he's befriended by a "gang" of 12 and 13-year-olds who call themselves The Animals. The stories were originally "told stories" in what some might call an oral tradition, to entertain and offer positive messages to kids at a West Oakland youth center where Mowry worked at the time; and when he began to write them down he tried keep that flavor. Rats portrays the conditions for inner city kids during the late 1980's -- around the end of Ronald Regan's "trickle-down theory" and the beginning of George Bush's (King George The First) "kinder, gentler America" -- which was when crack-cocaine was starting to flood into mostly poor black neighborhoods, as if designed for that, and especially to destroy kids. The times of happy black music of the late 1970s were ending. So was the social-awareness and the kinship of Brotherhood which had bonded, strengthened and sustained black people during the '60s and early 70s. The break-dance era was over, and the brutal and desperate years of gangstuh rap, of self-hatred fostering black-on-black crime, and "guns, gangs, drugs and violence" were beginning as if in retaliation for that brief interlude of relative peace. Robby and The Animals were old enough to remember the happier days when black people seemed united in a common cause of freedom and justice; and like most black kids at the time they knew they were losing something even if they might not have been able to give it a name. Sadly, all the predictions made in Rats have come true, the ever-increasing and senseless black-on-black crime, the "guns, gangs, drugs and violence" in U.S. innercities, kids killing kids, and the shameful decline in the quality of public education. It was also predicted in Rats that guns, gangs, drugs and violence would move into white suburbia -- as Chuck (an older white teenager in Rats) said: "Coming soon to a neighborhood near YOU!" Of course, much of the language and many of the expressions, as well as some attitudes toward certain types of people, have changed since 1989 -- or are at least masked by political-correctness these days -- but judge for yourself if the U.S. has gotten kinder, gentler or any more enlightened since then despite all the political-correctness and Pollyanna lip-service given to equality. Rats In The Trees received a PEN Josephine Miles Award for excellence in literature in 1990, and was published in the U.K., Germany and Japan. It was also reprinted by Viking in the U.S. The Amazon Kindle Special Edition includes an extra story not available in the print editions, which was cut from the original small-press edition because of concern for length and printing costs.

Beyond its central premise, the book can be read through the connected lenses of Fiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.

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Themes to notice

Fiction

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Content notes

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Reading experience

Dark tone · Steady pace

Works well for a focused weekend or a few concentrated sittings.

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ToneDark
LuminousDark

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Rats in the Trees (Contemporary American Fiction)Jess Mowry
Powerful5/5

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Reading lengthA shorter read176 pages in this edition
Publication eraModernFirst published or edition dated 1993
Primary categoryFictionExplore similar books below
ISBN-13
978-0-1401-7873-9
Language
English
Edition record
OL9304129M
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A more thoughtful way into this book

This guide uses the edition details and category signals above to help you choose deliberately. It does not replace the author's work or a full review.

Good to know

Works well for a focused weekend or a few concentrated sittings.

Begin with its place in Fiction, then notice where the book resists that label.

Try this reading approach

Read for connection, not completion.

Mark one passage that sharpens the book's central concern and one that complicates it. That tension often reveals more than a quick summary.

Three questions to carry with you

  1. What does the central character want, and what do they misunderstand about that desire?
  2. Which detail or relationship changes how you interpret the story?
  3. What feeling or question does the book leave with you after the plot moves on?

Editorial framework by Wesley Bryan, BookenDeX Founder and Editor.