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Why Read the Classics

by Italo Calvino

Published 2002ISBN 978-0-1560-1130-3

Italo Calvino was not only a prolific master of fiction, he was also an uncanny reader of literature, a keen critic of astonishing range. Why Read the Classics? is the most comprehensive collection of Calvino's literary criticism available in English, accounting for the enduring importance to our lives of crucial writers of the Western canon. Here--spanning more than two millennia, from antiquity to postmodernism--are thirty-six immediately relevant, elegantly written, accessible ruminations on the writers, poets, and scientists who meant most to Calvino at different stages of his life.Following the title essay, which explores fourteen definitions of "the classic," Calvino offers writings that are at once critical appraisals and personal appreciations of, among others: Homer, Xenophon, Ovid, Pliny, Nezami, Ariosto, Cardano, Galileo, Defoe, Voltaire, Diderot, Ortes, Stendhal, Balzac, Dickens, Flaubert, Tolstoy, Twain, Henry James, Stevenson, Conrad, Pasternak, Gadda, Montale, Hemingway, Ponge, Borges, and Queneau.At a time when the Western canon and the very notion of "literary greatness" have come under increasing disparagement by the vanguard of so-called multiculturalism, Why Read the Classics? gives us an inspiriting corrective.From the Hardcover edition.

Beyond its central premise, the book can be read through the connected lenses of Nonfiction, Fiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.

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Themes to notice

Nonfiction · Fiction

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Content notes

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Balanced tone · Measured pace

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ToneBalanced
LuminousDark

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PeakRelative emotional intensity
Why Read the ClassicsItalo Calvino
Heightened4/5

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Reading lengthLength not listed
Publication eraModernFirst published or edition dated 2002
Primary categoryNonfictionAlso cataloged under Fiction
ISBN-13
978-0-1560-1130-3
Language
English
Edition record
OL9694426M
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A more thoughtful way into this book

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Good to know

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Begin with its place in Nonfiction, then notice where the book resists that label.

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Read for connection, not completion.

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Three questions to carry with you

  1. Whose perspective organizes the story, and whose perspective remains outside it?
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  3. How does the book change the way you understand its larger subject?

Editorial framework by Wesley Bryan, BookenDeX Founder and Editor.