Literature and Science in the Nineteenth Century

LITERATURE AND SCIENCE IN THE NINETEENTH CENTURY. PROLOGUE: LITERATURE AND SCIENCE. Sonnet---To Science (1829) / Edgar Allan Poe The Belfast Address (1874) / John Tyndall From Science and Culture (1880) / Thomas Henry Huxley Literature and Science (1882) / Matthew Arnold MATHEMATICS, PHYSICAL SCIENCE, AND TECHNOLOGY. Mathematics. Sketch of the Analytical Engine (1843) / Ada Lovelace From Formal Logic (1847) / Augustus De Morgan From An Investigation of the Laws of Thought (1854) / George Boole From The Logic of Chance (1866) / John Venn From Through the Looking-Glass (1871) From The Game of Logic (1886) / Lewis Carroll From Daniel Deronda (1876) / George Eliot From The Time Machine (1895) / H.G. Wells Physical Science. From On the Power of Penetrating into Space by Telescopes (1800) / Sir William Herschel From Past and Present (1843) / Thomas Carayle From Outlines of Astronomy (1849) / Sir John Herschell From Experimental Researches in Electricity (1839-55) (1852) / Michael Faraday On the Age of the Sun's Heat (1862) / William Thomson, Lord Kelvin On Chemical Rays, and the Light of the Sky (1869) On the Scientific Use of the Imagination (1870) / John Tyndall From Theory of Heat (1871) To the Chief Musician upon Nabla: A Tyndallic Ode (1874) Professor Tait, Loquitur (1877) Answer to Tait To Hermann Stoffkraft (1878) / James Clerk Maxwell The Sorting Demon of Maxwell (1879) / William Thomson, Lord Kelvin From Two on a Tower (1882) / Thomas Hardy The Photographic Eyes of Science (1883) / Richard A. Proctor On a New Kind of Rays (1895) / Wilhelm Conrad Roentgen Telcommunications. Letter to Hon. Levi Woodbury, Secretary of the US Treasury, 27 September 1837 / Samuel F.B. Morse The Telephone from Westminster Review (1878) / Anonymous Mental Telegraphy (1891) / Mark Twain The Deep-Sea Cables (1896) / Rudyard Kipling In the Cage (1898) / Henry James Bodies and Machines. From On the Economy of Machinery and Manufactures (1832) / Charles Babbage From Dombey and Son (1847-8) / Charles Dickens On the Conservation of Force (1847) / Hermann Von Helmholtz From Erewhon (1872) / Samuel Butler To a Locomotive in Winter (1876) / Walt Whitman SCIENCES OF THE BODY. Animal Electricity. From De Viribus Electricitatis (1791) / Luigi Galvani From Discourse, Introductory to a Course of Lectures on Chemistry (1802) / Sir Humphrey Davy From Frankenstein (1818) / Mary Shelley I Sing the Body Electric [1855] (1867) / Walt Whitman Cells and Tissues and Their Relation to the Body. From General Anatomy (1801) / Xavier Bichat From Cellular Pathology (1858) / Rudolf Virchow From Middlemarch (1871-2) / George Eliot From the Physical Basis of Mind (1877) / George Henry Lewes Hygiene, Germ Theory, and Infectious Diseases. From The Last Man (1826) / Mary Shelley An Inquiry into the Sanitary Condition of the Labouring Population of Great Britain (1842) / Sir Edwin Chadwick [The Mask of the Red Death](https://openlibrary.org/works/OL41050W) (1842) / Edgar Allan Poe The Contagiousness of Puerperal Fever (1843) / Oliver Wendall Holmes On the Organized Bodies Which Exist in the Atmosphere (1861) / Louis Pasteur Illustrations of the Antiseptic System (1867) / Sir Joseph Lister Dr Koch on the Cholera (1884) / Anonymous The Stolen Bacillus (1895) / H.G. Wells Experimental Medicine and Vivisection. From An Introduction to the Study of Experimental Medicine (1865) / Claude Bernard Vivisection: Its Pains and Its Uses (1881) / Sir James Paget Vivisection and Its Two-Faced Advocates (1882) / Frances Power Cobbe From Heart and Science (1883) / Wilkie Collins From The Island of Dr Moreau (1896) / H.G. Wells EVOLUTION. The Present and the Past. From Zoological Philosophy (1809) / Jean Baptiste De Lamarck From Principles of Geology (1830-3) / Sir Charles Lyell From Philosophy of the Inductive Sciences (1840) / William Whewell From The Princess (1847) / Alfred, Lord Tennyson From The Origin of Species (1859) / Char

Beyond its central premise, the book can be read through the connected lenses of Nonfiction, Fiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.