Trials of Reason

"Scholarship on Plato's dialogues persistently divides its focus between the dramatic or literary and the philosophical or argumentative dimensions of the texts. But this hermeneutic division of labor is naive, for Plato's arguments are embedded in dramatic dialogues and developed through complex, largely informal exchanges between literary characters. Consequently, it is questionable how readers can even attribute arguments and theses to the author himself. The answer lies in transcending the scholarly divide and integrating the literary and philosophical dimensions of the texts. This is the task of Trials of Reason." "The study focuses on a set of fourteen so-called early dialogues, beginning with a methodological framework that explains how to integrate the argumentation and the drama in these texts. Unlike most canonical philosophical works, the early dialogues do not merely express the results of the practice of philosophy. Rather, they dramatize philosophy as a kind of motivation, the desire for knowledge of goodness, and as a discursive practice motivated by this desire and ideally governed by reason. They also dramatize the trails to which desire and reason are subject, that is the difficulties of realizing philosophy as a form of motivation a practice, and an epistemic achievement. In short, Trials of Reason argues that Plato's early dialogues are as much works of metaphilosophy as philosophy itself."--Jacket.

Beyond its central premise, the book can be read through the connected lenses of Philosophy, Nonfiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.