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Book details

Rome tales

stories

by Hugh Shankland, Helen Constantine

Published 2011286 pagesISBN 978-0-1995-7246-5

In ways no guide book can achieve, these twenty absorbing tales by Italian authors ranging from Boccaccio in the Middle Ages to Giacomo Casanova in the eighteenth century, to Pier-Paolo Pasolini in the twentieth and contemporary new writers such as Melania Mazzucco and Igiaba Scego, offer the delight of discovering and exploring one of the world's most unique cities thorough a wide variety of individual lives and epochs. The tales span seven hundred years but rather than being ordered chronologically, old and new appear alongside one another, reflecting the dual identity of Rome - thriving, modern metropolis and ancient city centre that is one of the wonders of the world. The tales are wonderfully varied in style, tone, and subject matter. Casanova sets about seducing the hotelier's daughter only minutes after his arrival, a notorious Spanish prostitute in Renaissance Rome endures a public hiding without flinching, a Danish tourist in her sixties finds an unusual lover, Pope John Paul II uncovers a vast conspiracy against him, a medieval revolutionary demagogue suffers almost the same fate as Mussolini. Each story is illustrated with a black-and-white photograph and there is a map of Rome to help readers locate the important sites which feature in the text. A deep sense of timelessness, of separate destinies entwined across a gulf of centuries, is the cumulative effect of this vivid mosaic of dramatic, comic, and tragic stories set in the Eternal City.

Beyond its central premise, the book can be read through the connected lenses of Fiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.

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What the reading experience may hold

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Themes to notice

Fiction

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Content notes

No specific content concerns can be confirmed from the available English catalog information. Consult a publisher or reader-supplied guide when detailed warnings matter.

These notes are inferred from available catalog information and may not be complete. Check a publisher or reader-supplied guide if you need comprehensive warnings.

Reading experience

Balanced tone · Steady pace

A comfortable full-length choice for steady daily reading.

Who it may suit

A good fit if…

Readers who want a thoughtful experience and enjoy noticing the connections beneath a book’s surface story.

At a glance

This book's DNA

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ToneBalanced
LuminousDark

This signal is descriptive, not a rating. It helps compare the kind of reading experience this edition may offer.

No plot details

Spoiler-Free Emotional Arc

A broad estimate of the book’s emotional rhythm, shown without story events or outcomes.

Spoiler-free
12345
PeakRelative emotional intensity
Rome talesHugh Shankland, Helen Constantine
Powerful4.5/5

This visualization is an interpretive estimate based on catalog description, categories, tone, pace, and content signals. It does not describe specific scenes.

Before you choose

A quick reading snapshot

Edition facts and catalog signals to help you decide whether this book fits what you want to read next.

Reading lengthA standard-length read286 pages in this edition
Publication eraModernFirst published or edition dated 2011
Primary categoryFictionExplore similar books below
ISBN-13
978-0-1995-7246-5
Language
English
Edition record
OL25281621M
BookenDeX editorial lens

A more thoughtful way into this book

This guide uses the edition details and category signals above to help you choose deliberately. It does not replace the author's work or a full review.

Good to know

A comfortable full-length choice for steady daily reading.

Begin with its place in Fiction, then notice where the book resists that label.

Try this reading approach

Read for connection, not completion.

Mark one passage that sharpens the book's central concern and one that complicates it. That tension often reveals more than a quick summary.

Three questions to carry with you

  1. What does the central character want, and what do they misunderstand about that desire?
  2. Which detail or relationship changes how you interpret the story?
  3. What feeling or question does the book leave with you after the plot moves on?

Editorial framework by Wesley Bryan, BookenDeX Founder and Editor.