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Book details

Male subjectivity and poetic form in new American poetry

by Andrew Mossin

Published 2010ISBN 978-0-2306-1732-2

"Male Subjectivity and Poetic Form in "New American" Poetry examines the sometimes fraught connections between poets associated with the New American poetry of Donald Allen's anthology and the resulting formal choices these poets made in their work. Focusing in particular on pairings of writers within the larger grouping of poets, this books suggests how literary partnerships became pivotal to the writing that got done, especially at early stages in these poets' careers. "No one listens to poetry," Jack Spicer famously wrote. This book shows how a particular group of poets did listen to each other and what they made of what they heard"--Provided by publisher.

Beyond its central premise, the book can be read through the connected lenses of Nonfiction, Fiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.

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Themes to notice

Nonfiction · Fiction

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Content notes

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Reading experience

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ToneBalanced
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Male subjectivity and poetic form in new American poetryAndrew Mossin
Powerful4.3/5

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Before you choose

A quick reading snapshot

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Reading lengthLength not listed
Publication eraModernFirst published or edition dated 2010
Primary categoryNonfictionAlso cataloged under Fiction
ISBN-13
978-0-2306-1732-2
Language
English
Edition record
OL23919790M
BookenDeX editorial lens

A more thoughtful way into this book

This guide uses the edition details and category signals above to help you choose deliberately. It does not replace the author's work or a full review.

Good to know

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Begin with its place in Nonfiction, then notice where the book resists that label.

Try this reading approach

Read for connection, not completion.

Mark one passage that sharpens the book's central concern and one that complicates it. That tension often reveals more than a quick summary.

Three questions to carry with you

  1. Whose perspective organizes the story, and whose perspective remains outside it?
  2. Which sources or lived experiences carry the author’s central argument?
  3. How does the book change the way you understand its larger subject?

Editorial framework by Wesley Bryan, BookenDeX Founder and Editor.