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Book details

Gaffers, Grips and Best Boys

From Producer-Director to Gaffer and Computer Special Effects Creator, a Behind-the-Scenes Look at Who Does What in the Making of a Motion Picture

by Eric Taub

Published 1995272 pagesISBN 978-0-3121-1276-9

When the credits roll at the end of a movie, do you know what a producer, a gaffer, or a computer special-effects creator actually does? How about a key grip or best boy? Who makes the trailers you see before a feature film? Who decides the rating that each movie receives? Gaffers, Grips, and Best Boys goes way beyond the Hollywood glamour and hype to explain every aspect of who does what in the making of a motion picture - from conception and casting to production, postproduction, advertising, and marketing here and abroad. A veteran film-industry insider, Eric Taub takes readers through the labyrinthine world of today's studio system, sharing candid, revealing interviews he's conducted with some of the most successful actors, directors, producers, film editors, sound mixers, stuntpersons, story analysts, publicists, sound-effects editors, computer visual-effects producers, and marketing executives in the motion picture business today - with each one offering behind-the-scenes accounts of the part he or she plays in making today's top-grossing (and, in some cases, top-flopping) movies.

Beyond its central premise, the book can be read through the connected lenses of Nonfiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.

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What the reading experience may hold

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Themes to notice

Nonfiction

Use these as starting points rather than limits; the most memorable books often stretch beyond their catalog labels.

Content notes

No specific content concerns can be confirmed from the available English catalog information. Consult a publisher or reader-supplied guide when detailed warnings matter.

These notes are inferred from available catalog information and may not be complete. Check a publisher or reader-supplied guide if you need comprehensive warnings.

Reading experience

Balanced tone · Steady pace

A comfortable full-length choice for steady daily reading.

Who it may suit

A good fit if…

Readers who want a thoughtful experience and enjoy noticing the connections beneath a book’s surface story.

At a glance

This book's DNA

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ToneBalanced
LuminousDark

This signal is descriptive, not a rating. It helps compare the kind of reading experience this edition may offer.

No plot details

Spoiler-Free Emotional Arc

A broad estimate of the book’s emotional rhythm, shown without story events or outcomes.

Spoiler-free
12345
PeakRelative emotional intensity
Gaffers, Grips and Best BoysEric Taub
Heightened4.1/5

This visualization is an interpretive estimate based on catalog description, categories, tone, pace, and content signals. It does not describe specific scenes.

Before you choose

A quick reading snapshot

Edition facts and catalog signals to help you decide whether this book fits what you want to read next.

Reading lengthA standard-length read272 pages in this edition
Publication eraModernFirst published or edition dated 1995
Primary categoryNonfictionExplore similar books below
ISBN-13
978-0-3121-1276-9
Language
English
Edition record
OL9785830M
BookenDeX editorial lens

A more thoughtful way into this book

This guide uses the edition details and category signals above to help you choose deliberately. It does not replace the author's work or a full review.

Good to know

A comfortable full-length choice for steady daily reading.

Begin with its place in Nonfiction, then notice where the book resists that label.

Try this reading approach

Read for connection, not completion.

Mark one passage that sharpens the book's central concern and one that complicates it. That tension often reveals more than a quick summary.

Three questions to carry with you

  1. Whose perspective organizes the story, and whose perspective remains outside it?
  2. Which sources or lived experiences carry the author’s central argument?
  3. How does the book change the way you understand its larger subject?

Editorial framework by Wesley Bryan, BookenDeX Founder and Editor.