The image of America in Montaigne, Spenser and Shakespeare

The Image of America in Montaigne, Spenser, and Shakespeare examines selected works of three major Renaissance writers within the context of early modern ethnographic discourse. In a series of imaginative and detailed discussions, William M. Hamlin explores the ways in which Renaissance ideas of savagery and civility evolved during the sixteenth and early seventeenth centuries. This evolution was a consequence, in part, of the fascinating and complex interaction between ethnographic reportage and literary representation. Hamlin begins his discussion by arguing that all forms of ethnography or historiography are inevitably assimilative constructs. By examining early ethnographic writings of such authors as Columbus, Martyr, Las Casas, Lery, Duran, and Sahagun he shows how sixteenth-century thought moved gradually toward the recognition of difference in equality - a recognition championed above all by Montaigne. Like Montaigne's, Spenser's thought balanced natural sufficiency with sociocultural sophistication, and thus revealed an implicit awareness of the interpenetration of the concepts of savagery and civility. This interpenetration was further explored by Shakespeare, particularly in The Tempest and King Lear. Hamlin characterizes The Tempest's pastoralism as Montaignian, and argues in conclusion that the interconnectedness of concepts of nature and culture in the writings of Montaigne, Spenser, and Shakespeare suggests the extent to which New World awareness in Renaissance Europe effected a partial erasure and reconstitution of Old World patterns of thought.

Beyond its central premise, the book can be read through the connected lenses of Fiction, Nonfiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.