The rural life

"In the pages of The New Yorker, Harper's, the New York Times, and his books Making Hay and The Last Fine Time, Verlyn Klinkenborg has mastered a voice of singular lyricism and precision. His subject is the American landscape: not the landscape admired from a scenic overlook, but one taken in from a rusty chair propped against the worn siding of a screened-in porch, or from the window of a pickup driving down an empty highway into the teeth of an approaching storm. He has a keen appreciation of the peculiarly American tableau - a Memorial Day parade, or a boy riding a bike down the middle of a dusty street. Whether reporting from a small farm in upstate New York, a high pasture deep within the Rocky Mountains, or the bricked edge of a city shuddering in the wake of a "sudden Tuesday," Klinkenborg follows the momentum of the seasons in a language as simple, unsentimental, and exacting as life itself."--BOOK JACKET.

Beyond its central premise, the book can be read through the connected lenses of Nonfiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.