
Soldiers and slaves
American POWs trapped by the Nazis' final gamble
In February 1945, 350 American POWs captured earlier at the Battle of the Bulge or elsewhere in Europe were singled out by the Nazis because they were Jews or were thought to resemble Jews. They were transported in cattle cars to Berga, a concentration camp in eastern Germany, and put to work as slave laborers, mining tunnels for a planned underground synthetic-fuel factory. This was the only incident of its kind during World War II. Starved and brutalized, the GIs were denied their rights as prisoners of war, their ordeal culminating in a death march that was halted by liberation near the Czech border. Twenty percent of these soldiers -- more than seventy of them -- perished. After the war, Berga was virtually forgotten, partly because it fell under Soviet domination and partly because America's Cold War priorities quickly changed, and the experiences of these Americans were buried. Now, for the first time, their story is told in all its blistering detail. This is the story of hell in a small place over a period of ten weeks, at a time when Hitler's Reich was crumbling but its killing machine still churned. It is a tale of madness and heroism, and of the failure to deliver justice for what the Nazis did to these Americans. Among those involved: William Shapiro, a young medic from the Bronx, hardened in Normandy battles but, as a prisoner, unable to help the Nazis' wasted slaves, whose bodies became as insubstantial as ghosts; Hans Kasten, a defiant German-American who enraged his Nazi captors by demanding, in vain, that his fellow U.S. prisoners be treated with humanity, thus committing the unpardonable sin of betraying his German roots; Morton Goldstein, a garrulous GI from New Jersey, shot dead by the Nazi in charge of the American prisoners in an incident that would spark intense debate at a postwar trial; and Mordecai Hauer, the orphaned Hungarian Jew who, after surviving Auschwitz, stumbled on the GIs in the midst of the Holocaust at Berga and despaired at the sight of liberators become slaves. Roger Cohen uncovers exactly why the U.S. government did not aggressively prosecute the commandants of Berga, why there was no particular recognition for the POWs and their harsh treatment in the postwar years, and why it took decades for them to receive proper compensation. Soldiers and Slaves is an intimate, intensely dramatic story of war and of a largely forgotten chapter of the Holocaust. - Jacket flap.
Beyond its central premise, the book can be read through the connected lenses of Nonfiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.
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What the reading experience may hold
A fuller profile for choosing with more confidence—not just another copy of the preview.
Nonfiction
Use these as starting points rather than limits; the most memorable books often stretch beyond their catalog labels.
Catalog signals suggest warfare and conflict, violence, death, or criminal harm. These notes may not be complete; consult a publisher or reader-supplied guide when detailed warnings matter.
These notes are inferred from available catalog information and may not be complete. Check a publisher or reader-supplied guide if you need comprehensive warnings.
Dark tone · Steady pace
A comfortable full-length choice for steady daily reading.
A good fit if…
Readers who want a thoughtful experience and enjoy noticing the connections beneath a book’s surface story.
This book's DNA
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Spoiler-Free Emotional Arc
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A quick reading snapshot
Edition facts and catalog signals to help you decide whether this book fits what you want to read next.
- ISBN-13
- 978-0-3754-1410-7
- Language
- English
- Edition record
- OL23274056M
A more thoughtful way into this book
This guide uses the edition details and category signals above to help you choose deliberately. It does not replace the author's work or a full review.
A comfortable full-length choice for steady daily reading.
Begin with its place in Nonfiction, then notice where the book resists that label.
Read for connection, not completion.
Mark one passage that sharpens the book's central concern and one that complicates it. That tension often reveals more than a quick summary.
Three questions to carry with you
- Whose perspective organizes the story, and whose perspective remains outside it?
- Which sources or lived experiences carry the author’s central argument?
- How does the book change the way you understand its larger subject?
Editorial framework by Wesley Bryan, BookenDeX Founder and Editor.







