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Book details

Popular television in Eastern Europe during and since socialism

by Anikó Imre, Timothy Havens, Kati Lustyik

Published 2012298 pagesISBN 978-0-4158-9248-3

"This collection of essays responds to the recent surge of interest in popular television in Eastern Europe. This is a region where television's transformation has been especially spectacular, shifting from a state-controlled broadcast system delivering national, regional, and heavily filtered Western programming to a deregulated, multi-platform, transnational system delivering predominantly American and Western European entertainment programming. Consequently, the nations of Eastern Europe provide opportunities to examine the complex interactions among economic and funding systems, regulatory policies, globalization, imperialism, popular culture, and cultural identity.This collection will be the first volume to gather the best writing, by scholars across and outside the region, on socialist and postsocialist entertainment television as a medium, technology, and institution"--

Beyond its central premise, the book can be read through the connected lenses of Nonfiction. Those themes offer useful points of attention as the characters, ideas, or world develop, especially where the book complicates the expectations of its primary category.

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Themes to notice

Nonfiction

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Content notes

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Reading experience

Balanced tone · Urgent pace

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Popular television in Eastern Europe during and since socialismAnikó Imre, Timothy Havens, Kati Lustyik
Powerful4.7/5

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A quick reading snapshot

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Reading lengthA standard-length read298 pages in this edition
Publication eraModernFirst published or edition dated 2012
Primary categoryNonfictionExplore similar books below
ISBN-13
978-0-4158-9248-3
Language
English
Edition record
OL25299367M
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A more thoughtful way into this book

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Good to know

A comfortable full-length choice for steady daily reading.

Begin with its place in Nonfiction, then notice where the book resists that label.

Try this reading approach

Read for connection, not completion.

Mark one passage that sharpens the book's central concern and one that complicates it. That tension often reveals more than a quick summary.

Three questions to carry with you

  1. Whose perspective organizes the story, and whose perspective remains outside it?
  2. Which sources or lived experiences carry the author’s central argument?
  3. How does the book change the way you understand its larger subject?

Editorial framework by Wesley Bryan, BookenDeX Founder and Editor.